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Thomas Elsaesser, “James Cameron’s Avatar: access for all”, New Review of Film and Television Studies, Volume 9, Number 3 (September 2011), 247-264 [2009-2011].

 

Thomas Elsaesser, “Time, Space, Causality: Joe May, Fritz Lang and the German Detective Film”, Modernist Cultures Vol 5, No 1 (May 2010), 79-105.

 

Thomas Elsaesser, “Too Big and Too Close: Alfred Hitchcock and Fritz Lang”, in S. Gottlieb and R. Allen (eds.), The Hitchcock Annual Anthology (London: Wallflower Press, 2009), 146-170. [2009-2011].

 

Thomas Elsaesser, “Transnationales Kino in Europa: Jenseits der Identitätspolitik”, in Ricarda Strobel, Andreas Jahn-Sudmann (eds.), Film Transnational und Transkulturell (München: Wilhelm Fink Verlag, 2009), 27-44. [2009-2011].

 

Thomas Elsaesser, “The Future of Art and Work in the Age of Vision Machines: Harun Farocki”, in R. Halle, R.Steingröver (eds), After the Avantgarde – Contemporary German and Austrian Experimental Film (Rochester: Camden House, 2008), 31-49 [2006-2008].

 

Thomas Elsaesser, “Real Location, Fantasy Space, Performative Place: Double Occupancy and Mutual Interference in European Cinema”, in Temenuga Trifonova (ed.), European Film Theory (New York: Routledge, 2008), 47-61 [2009-2011]

 

Thomas Elsaesser, "Writing and rewriting film history: Terms of a debate", 2001.

 

Thomas Elsaesser, "Ethnicity, Authenticity and Exile: A Counterfeit Trade?" H. Naficy (ed.), Exile, Home and Homeland (New York: Routledge, 1998) 97-124. [1990s]

 

Thomas Elsaesser, "Early German Cinema: A Second Life?" Thomas Elsaesser (ed.), A Second Life: German Cinema's First Decades (Amsterdam: Amsterdam UP, 1996) 7-37.

 

Thomas Elsaesser, "Hyper-, Retro-, or Counter-: European Cinema and Third Cinema Between Hollywood and Art Cinema," J. King, A. Lopez, M. Alvarado (eds.), Mediating Two Worlds: The Americas and Europe 1492-1992 (London: BFI Publishing, 1992) 119-135. [1990s]

 

Thomas Elsaesser, "Screen Violence: A Clockwork Orange," C.W.E. Bigsby, ed. Approaches to Popular Culture (London, Edward Arnold, 1976) 171-200. (Translated into Spanish, 1982) [1970s-1980s]

 

Thomas Elsaesser, "Hollywood and the Cinephiles," C.W.E Bigsby, ed., Superculture (London: Elek, 1975) 199-216. [1970s-1980s]

 

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